Reviews of Writing Books

Pen & Sword: A Journalist's Guide to Covering the Military by Edward Offley

Marion Street Press, November, 2001
Paperback, 311 pages
ISBN: 0966517644
Ordering information:
Amazon.com


Pen & Sword: A Journalist's Guide to Covering the Military
 by Edward Offley Pen & Sword offers useful tips for journalists covering the military, conflicts and wars. This is an extremely timely book, considering the current war on terrorism and possible war with Iraq. The book provides details of how journalists have covered previous military engagements and offers advice and suggestions for covering future events. Tips are provided for dealing with public affairs officers, meeting generals and commanders and surviving the Pentagon. The book also covers sensitive issues journalists face in covering war, like reporting on a serviceman's death, and covering an aircraft crash. Pen & Sword also contains extensive reference information, including an overview of the defense industry, lists and pictures of military rank, lists of government military websites and a chronology of U.S. military operations since 1981.

Ed Offley, an experienced Gulf War reporter at the Seattle Post-Intelligencer, teaches journalists how to handle the difficult issues presented by war coverage and shows them what types of information are readily available for further research. Pen & Sword is an excellent book for any journalist, but especially for journalists who are covering the military beat, including the current War on Terrorism.


The Writer's Guide to Selling Your Screenplay by Cynthia Whitcomb

The Writer Books, September, 2002
Trade Paperback, 195 pages
ISBN: 0871161923
Ordering information:
Amazon.com


The Writer's Guide to Selling Your Screenplay
 by Cynthia Whitcomb Selling a screenplay, like selling any product, requires knowledge of the buyers, marketing skills and sales strategies. In Selling Your Screenplay, screenplay sales expert Cynthia Whitcomb offers this insider information to writers, as well as tips and suggestions on how to sell screenplays to specific Hollywood markets. The book covers a number of sales techniques for screenplays, pitches, query letters, pitch-a-thons, follow-up calls and story meetings. Whitcomb also explains financial matters, such as what screenwriters can expect as far payment and royalties are concerned. Agents, the Writer's Guild of America and the film production process are also covered in the book. Useful sections in the back of the book include web resource listings, contest listings and answers to common questions from beginning screenwriters like: "Do you have to have an agent first?" and "What is a release form and should I sign one?"

Cynthia Whitcomb has sold over seventy screenplays and television scripts, and has also taught screenwriting for nearly twenty years at the UCLA Film School. She is also the author of The Writer's Guide to Writing Your Screenplay. Once you've written a screenplay and you are happy with it, you must turn to the difficult process of getting it sold. Cynthia Whitcomb helps writers learn what agents and studios want to hear, and offers methods for approaching them and getting your screenplay noticed. Whitcomb's book is also fun to read; her stories about the business behind Hollywood and anecdotes from her own experiences are very entertaining. This is a must-have for any serious screenwriter.


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