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Faith and Doubt: an Interview
By Jan McDaniel
With Susan Ketchin
Susan Ketchin is a writer, teacher, musician, and editor.
She is the author of The Christ-Haunted Landscape:
Faith and Doubt in Southern Fiction (University Press
of Mississippi, 1994) and co-editor with Neil Giordano
Under 25: Fiction (W.W. Norton/DoubleTake Books, 1997).
She is currently writing a book about traditional southern
music and the creative spirit with a Fellowship in Literature
from the North Carolina Arts Council to be published by the
University Press of Mississippi.
Ketchin has taught creative writing, American literature,
and religion in Southern fiction at Duke University, at
North Carolina State University, and elsewhere over a
teaching career of twenty-five years. In the spring of 1999,
she was a Visiting Professor at Duke Divinity School where she
is teaching a seminar in Religion in Literature of the American
In the spring of 1996, Ketchin served as Co-chair of the
Eudora Welty Chair of Southern Studies at Millsaps College,
Jackson, MS. She has been Associate Editor at Algonquin
Books of Chapel Hill and fiction editor at St. Andrews Review,
Southern Exposure and DoubleTake Magazines. Most recently,
she served as fiction editor at the
University Press of Mississippi.
Her work includes many reviews, articles, and essays in literary and
trade journals. Ketchin also performs and writes music with the
Tarwater Band (since 1975) named after Flannery O'Connor's
"backwoods prophet") and The Angelettes (since 1993),
a bi-racial, all-women jazz, blues, and gospel group.
Like many Southern authors, Ketchin contemplates the past.
Her fascination with how oral history is affected by stories
and songs has evolved into two volumes of author interviews.
The format of her books give a unique insight into contemporary
writers' personal beliefs and into what they and Ketchin, herself,
see as the beliefs of those around them.
Each of the twelve authors included in The Christ-Haunted Landscape:
Faith and Doubt in Southern Fiction gave permission for excerpts
of their work to be published alongside their interviews. These
excerpts, which relate specifically to the topic, and Ketchin's
introductory comments about each author, provide a full-bodied
range of emotions and thought patterns seldom accessible to the
average reader. This format lends interest to Ketchin's book
as well as a deeper level of understanding to the original works
displayed. The twelve authors are: Lee Smith, Reynolds Price,
Larry Brown, Sheila Bosworth, Sandra Hollin Flowers, Will Campbell,
Doris Betts, Randall Kenan, Mary Ward Brown, Harry Crews, Clyde
Edgarton, and Allan Gurganus.
Exploring fiction is part of the writing -- and living -- process.
In her introduction to the book, Ketchin says, "Many southerners
have heard countless stories about the people they know and those
they are connected to, past and present; these stories form the
invisible sinews that hold family, community and land together
Drawing on earlier Southern writers, Ketchin compares the
similarities contemporary writers share with those who have
come before them and the differences changing decades have
brought to a region historically fraught with such upheaval.
She notes, as others have before, that all writers and not just
those from the South must face the challenge of telling the old,
old story of human yearning and desire in a modern world whose
structure is in a state of flux.
Her two most recent themes, religion and music, often go
hand-in-hand in the South or anywhere else. The kinds of
questions she asks are those that will always be asked,
and they hint at the heart of who we are and why we feel
compelled to connect with others. These questions boil
down to a central essence when she asks, "Does the writing -- or
the reading -- have the power within itself to be redemptive?"
In the interview below, Ketchin discusses this issue and others
relating to writing and her work.
What was it that made you become interested in writing?
Flannery O'Connor, through her work, inspired me. She
had known my mother. The two of them went to school together
and even worked on the school newspaper, so I heard stories
about her life from the time I was very young.
Another writer who encouraged me a great deal was Eudora Welty.
I met her about fifteen years age, and she has been a continuing
source of inspiration and help.
Do you think technology has influenced the area of literary
criticism and, if so, how?
I've enjoyed reading the reviews of my book on the Amazon.com
website, so I believe e-mail and access to information are great
benefits of technology. This kind of review pleases me because
these reviews are written by readers, and that makes me feel more
connected to them.
In your opinion, what makes Southern women writers unique?
Southern women are caught in a potent kind of culture . . . or
a potent dilemma in an extreme culture . . . more so than writers
in other parts of the country. I think it makes you strong and
tough, and I'm proud to be a southerner. The movie Thelma and
Louise came to mind. It may portray the idea better than
In your book, The Christ-Haunted Landscape--Faith and Doubt
in Southern Fiction, you interview both male and female authors.
How did you select these twelve individuals, and was the number
"twelve" significant (as in the twelve disciples)?
The coincidence was not intended, but it worked out
rather well. I chose these authors based, first, on their writing.
They all had been consistently concerned with issues of theology
in their work.
When you approached these authors, what did you hope
to reveal through the interview format that your own research
could not provide?
Had I analyzed the material myself, I wouldn't have known
whether I was right or not. I wanted to find out what they
thought about religion in their own work. The interview
is really an oral history which makes the material lively
This project explored the role of religion in literature.
Do you agree with Lee Smith's assessment of writing as a kind
of salvation experience?
She does think of writing in this way, and many of the
other authors did. Their work represents and reflects
serious struggles with faith and doubt.
You say of Harry Crews, another author you interviewed for
this book, that he "creates fiction as art in one powerfully
compelling metaphor--the writer as shaman." Do all writers
use storytelling for the same kinds of curative purposes?
Some authors do. The redemptive and healing purposes
are not just for the writer. They are for the reader as well.
Considering the Deep South is still known as the "Bible
Belt," have you received any criticism or negative press as
a result of writing this book?
I was surprised at how few negative comments I received.
By far the most common reaction was one of support and
encouragement. I think people recognized the questions
I was asking and were dealing with the answers in their
"Southern women are caught in a potent kind of
culture . . . or a potent dilemma in an extreme
culture . . . more so than writers in other parts of the country.
I think it makes you strong and tough, and I'm proud to be
Do you think Southern writers will continue to juxtapose
religious and everyday life experiences in their work? If so,
is the primary reason to provide a "catharsis" for them and
Guilt continues. It's a part of everyday life, and so the
use of these subjects may even grow stronger. With religion
or music, the old traditional demons will continue to rise
and will continue to be themes in literature.
What are your future plans? Will you be working with authors
Yes, I use the same approach, and the interview again, as I
speak with Ms. Welty, Charles Fraiser, Lewis Norton, Lee Smith
once more, and Mary Hood. I will interview Rita Dove.
Robert Morganfield, who is the half-brother of Muddy Waters,
is another musician who will be included. This new book
will be published by the University of Mississippi, as
the last one was.
What advice would you give young writers today?
The same advice that Lee Smith and Eudora Welty gave to me.
Keep believing and keep doing -- no matter what. Nothing you do
like this is a waste of time.
Susan Ketchin delves into what can be discovered about human
nature when it is unveiled. Here are some of my favorite
quotes from a few of the authors she interviewed in her book:
Larry Brown--" . . . my fiction is about people surviving, about
people proceeding out from calamity."
Reynolds Price--"I'm attempting to write about those portions of
creation which present themselves to me as important and worthy
of communication to my fellow creatures."
Lee Smith--"The link for me between my own religious feelings
and creativity is that with writing, you go out of yourself--but
you know you can come back."
Sheila Bosworth--"When I was little we used to read and read,
and my sisters and I would say, Oh, is that a good food book?
Does it make you hungry?"
Shelia Bosworth and the others are right. Good fiction is like
good food. It makes us hungry for emotional connections and
leaves us wanting more.
**About Jan McDaniel
Jan McDaniel is a literary agent and writer
from the southeastern United States,
currently living in Georgia. Her published work spans a
twenty-five year period and
includes columns and articles for newspapers and magazines,
curriculum materials, resource kits, radio spots, book reviews,
author interviews, and fiction in traditional and electronic
publications. Her short stories have
appeared in the Savannah Literary Journal, EWG
Presents, Moondance: A Celebration of Creative Women, The
Literary Journal, Alternate Realities, and FrightNet
Online Magazine. She is the owner of
Literary Agency, and is the founder and director of
Weekly Writer, a promotion-oriented
writing group. She may be reached via email at