J.K. Rowling and the Extraordinary Life (Part 1 of 2)

by Claire E. White
The Internet Writing Journal, August 2005
When one reads about Joanne Kathleen Rowling in the mainstream press, one generally is bombarded by a barrage of numbers: the millions of
Photo of J.K. Rowling
books she's sold, the hundreds of millions of dollars she's made, the millions of fans who love her work. But is it really appropriate to value a writer by the amount of money she makes? To an artist the notion is repugnant. Yet in our materialistic world it is a convenient measure of something that most authors do value: the popularity of their work. For each dollar spent on Harry Potter books is an indication of the millions of children and adults who enjoy spending time at Hogwarts when they could be surfing the Internet, watching TV or playing outside. And the numbers that one is faced with are truly astounding.

J.K. Rowling has been ranked as #40 on Forbes' list of the 100 most powerful women in the world. She is the first author in history to be worth $1 billion, and is only one of five women who are self-made billionaires. She has accomplished the nearly unthinkable for a modern writer: she has achieved overwhelming critical and financial success in her own lifetime. Forbes classifies her as a "media dynamo," which from all accounts is somewhat amazing to the modest British girl whose greatest dream was to see one of her books for sale in a bookshop and -- if fortune smiled upon her -- to have a positive book review in a national newspaper. Forbes says:
"Her Harry Potter books have sold a stunning 270 million copies in 62 languages worldwide. Her sixth installment of the Harry Potter blockbuster series, Harry Potter and the Half-Blood Prince, sold a breathtaking 6.9 million copies in its first 24 hours of release and is the largest-ever product debut on Amazon.com. Generating more than $100 million in revenue, her new book's debut is not only the richest opening in publishing history but also gave heart palpitations to the makers of the movie Charlie and the Chocolate Factory, which debuted the same weekend as the new book. This seven-year phenomenon is not letting up anytime soon, though Rowling has said the seventh installment will be her last. Harry Potter movies, with their antic capers of magic and wizardry at the Hogwarts School of Witchcraft and Wizardry, have grossed an impressive $2.5 billion to date, including DVDs." 1


She has also collected the unwanted trappings of celebrity: reporters used to pound on her front door while she was making dinner (until she moved into a more security-conscious home), rumors about her life appear regularly in the newspapers and on the Internet (which she gleefully and regularly rebuts personally on her website), and she is recognized on the street by fans. She has also earned what is undoubtedly the most unwanted badge of celebrity of all: grainy photographs of her in a bikini while she was on her honeymoon with Dr. Neil Murray appeared in the British tabloids.



Cover of Harry Potter and the Sorcerer's Stone by J.K. Rowling
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for ordering information.
She may be richer than the Queen of England, but Joanne Rowling started life in more modest circumstances. She grew up in the little town of Chipping Sodbury, with a stay at home mom and a father who worked at the local Rolls Royce plant. She wrote her first story at the age of six, and continued to write from then on. She received a classical education, studying Latin and French. She received her degree from the University of Exeter. The idea of Harry Potter came to her when she was in her mid-twenties.
"After leaving university I worked in London; my longest job was with Amnesty International, the organisation that campaigns against human rights abuses all over the world. But in 1990, my then boyfriend and I decided to move up to Manchester together. It was after a weekend's flat-hunting, when I was traveling back to London on my own on a crowded train, that the idea for Harry Potter simply fell into my head."

"I had been writing almost continuously since the age of six but I had never been so excited about an idea before. To my immense frustration, I didn't have a functioning pen with me, and I was too shy to ask anybody if I could borrow one. I think, now, that this was probably a good thing, because I simply sat and thought, for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who didn't know he was a wizard became more and more real to me. I think that perhaps if I had had to slow down the ideas so that I could capture them on paper I might have stifled some of them (although sometimes I do wonder, idly, how much of what I imagined on that journey I had forgotten by the time I actually got my hands on a pen)."

"I began to write Philosopher's Stone that very evening, although those first few pages bear no resemblance at all to anything in the finished book. I moved up to Manchester, taking the swelling manuscript with me, which was now growing in all sorts of strange directions, and including ideas for the rest of Harry's career at Hogwarts, not just his first year. Then, on December 30th 1990, something happened that changed both my world and Harry's forever: my mother died." 2
Cover of Harry Potter and the Chamber of Secrets by J.K. Rowling
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for ordering information.
Rowling's mother died at the age of 45 from multiple sclerosis. Losing her mother was absolutely devastating for Rowling, she has said. She wrote with great feeling about her mother's death for the magazine for the Multiple Sclerosis Society, MS Matters:
"I saw her for the last time just before Christmas 1990. She was extremely thin and looked exhausted. I don't know how I didn't realize how ill she was, except that I had watched her deteriorate for so long that the change, at the time, didn't seem so dramatic. I said goodbye to her and left to spend Christmas with my then boyfriend's parents, the first time I had spent it away from her."

"She died on New Year's Eve. When the telephone rang at half past seven in the morning and my boyfriend's mother called up the stairs, "It's your Dad," I knew. Fathers don't call their daughters that early except for the worst of reasons. She was 45 and I still can't write about her without crying."

"I miss my mother almost daily, and I feel desperately sad for all she missed. She died before either of her daughters got married, died before Di gave up nursing and became a lawyer; she never met her granddaughter, and I never told her about Harry Potter." 3
Less was known about multiple sclerosis when her mother suffered from it, although Scotland has the highest incidence of MS in the world. Rowling's impassioned essay about the appalling lack of government funding to help people with the disease caused a furor in Scotland. Rowling marched on Scottish Parliament to raise awareness of the cause, which led to massive reform in the way the disease is treated. She is the patron of the Multiple Sclerosis Society of Scotland and has given generously of her time and money to the cause that means so much to her.

After the anguish of her mother's death, she faced another shock: her father quickly remarried. Desperate to get away, Jo took a job teaching English in Portugal. In Portugal she met Jorge Arantes, whom she married. She had a daughter whom she named Jessica, after Jessica Mitford, a heroine of Rowling. She has spoken often of her admiration for Jessica Mitford, both for her writings and for her activism.
"[Jessica Mitford] remained so different from the background that she came from, that her first husband died so young, that she lost two of her four kids in tragic circumstances -- and yet she had no self-pity and a fabulous sense of humour right to the bitter end. I gave my daughter a copy of Mitford's [Hons and Rebels] for her christening." 4


She won't reveal much about her brief first marriage, saying only:
"Obviously you don't leave a marriage after that very short period of time unless there are serious problems. And I had a baby with this man. But it didn't work. And it was clear to me that it was time to go. I never regretted it." 5
She also shared this excellent advice with her youthful female readers at the Edinburgh International Book Fair in 2004:
"Isn't this life, though? I make this hero -- Harry, obviously -- and there he is on the screen, the perfect Harry, because Dan is very much as I imagine Harry, but who does every girl under the age of 15 fall in love with? Tom Felton as Draco Malfoy. Girls, stop going for the bad guy. Go for a nice man in the first place. It took me 35 years to learn that, but I am giving you that nugget free, right now, at the beginning of your love lives." 6
After her daughter was born, the marriage fell apart. Disillusioned and nearly broke, Jo and baby Jessica left Portugal and traveled to Edinburgh in time for Christmas with Jo's sister Di. She hesitantly shared the first few chapters of the Harry Potter manuscript with Di. Di laughed at the funny parts, which Rowling says is what kept her from setting the entire project aside. Heartened by the response, she decided to give it a go, before turning to teaching to support herself. She lived on public assistance, which she despised with a passion.
"I had no intention, no desire, to remain on benefits. It's the most soul-destroying thing. I don't want to dramatise, but there were nights when, though Jessica ate, I didn't. The suggestion that you would deliberately make yourself entitled... you'd have to be a complete idiot.

"I was a graduate, I had skills, I knew that my prospects long-term were good. It must be different for women who don't have that belief and end up in that poverty trap -- it's the hopelessness of it, the loss of self-esteem. For me, at least, it was only six months. I was writing all the time, which really saved my sanity. As soon as Jessie was asleep, I'd reach for pen and paper." 7
Determined to find a way out of the trap so many single women have found themselves in, Rowling would walk the baby in her stroller through the streets of Edinburgh until the baby fell asleep, then she would go to Nicholson's Café and order one espresso and one water and write in longhand as fast as she could until the baby woke up. When she finished the manuscript, she didn't have enough money to photocopy it, so she had to send it to one agent at a time. A brilliant -- and presumably prescient -- young agent named Christopher Little accepted Rowling as a client, and set out to sell the story of a young orphan who finds out that he is destined to be the greatest wizard of all time. It took a year for Little to sell the book to Bloomsbury: most publishers passed on the book because it was far too long for middle grade fiction and it didn't fit as an adult fantasy.
Cover of Harry Potter and the Prisoner of Azkaban by J.K. Rowling
Click here
for ordering information.
"It took a year for my new agent, Christopher, to find a publisher. Lots of them turned it down. Then, finally, in August 1996, Christopher telephoned me and told me that Bloomsbury had 'made an offer.' I could not quite believe my ears. 'You mean it's going to be published?' I asked, rather stupidly. 'It's definitely going to be published?' After I had hung up, I screamed and jumped into the air; Jessica, who was sitting in her high-chair enjoying tea, looked thoroughly scared." 8
The book was an unexpected success in England, and Scholastic bought the American rights at auction. Rowling revealed that when the publicity machine cranked up, it threw her into her first-ever case of writer's block.
"Three months after British publication, my agent called me at about eight one evening to tell me there was an auction going on in New York for the book. They were up to five figures. I went cold with shock. By the time he called back at 10 p.m., it was up to six figures. At 11 p.m., my American editor, Arthur Levine, called me. The first words he said to me were: "Don't panic." He really knew what I was going through. I went to bed and couldn't sleep. On one level I was obviously delighted, but most of me froze."

"For the first time ever in my life, I got writer's block. The stakes seemed to have gone up a lot, and I attracted a lot of publicity in Britain for which I was utterly unprepared. Never in my wildest imaginings had I pictured my face in the papers -- particularly captioned, as they almost all were, with the words "penniless single mother." It is hard to be defined by the most difficult part of your life. But that aspect of the story is, thankfully, receding a little in Britain; the books are now the story, which suits me fine." 9
"One of the nicest things about writing for children is that you don't find them deconstructing novels. Either they like it or they don't like it." --J.K. Rowling
The film rights were later sold, and her success allowed her to have unprecedented control over the script, something most authors never have. The film's first director, Chris Columbus took great pains to recreate Hogwarts exactly as Rowling saw it in her mind. She was absolutely delighted with the way the films turned out, especially with Daniel Radcliffe's performance as Harry, Robbie Coltrane's performance as Hagrid and Maggie Smith's performance as Professor McGonagal. The books continued to grow in popularity by word of mouth and, as the buzz grew and the movie media madness kicked in, Harry Potter became a worldwide phenomenon. Midnight parties at bookstores where children dress up as their favorite characters from the books were held on each book's publication date, numerous websites and chatrooms sprang up and then the merchandising started, with all kinds of Harry Potter goods being sold, from t-shirts to toys to costumes.

Jo Rowling was now successful beyond her wildest dreams. The writer's block receded into the distance and she gradually started taking control of her publicity, enforcing limits on interviews and appearances, so that she could also have a personal life. A friend introduced her to Dr. Neil Murray, a Scottish doctor, whom she married in a small ceremony with family in December, 2001. The couple's first child, a boy, was born in March 2003, just three months before the Harry Potter And The Order of the Phoenix hit the bookshelves. Their second child, daughter Mackenzie, was born in January, 2005.

Effect of Harry Potter on Popular Culture

Harry Potter has had an undeniable impact on popular culture. Before Harry Potter and the Sorcerer's Stone hit bookshelves, the children's publishing industry was in a slump. Children were beginning to spend more of their free time playing computer and video games. Television watching for children was on the rise. Suddenly, delighted parents and teachers were treated to the sight of 8 year-olds lugging around hefty tomes and actually reading them all the way through to the end. The books have been translated into all the major western european languages, but have also been translated into such languages as Turkish, Farsi, Latin and Ancient Greek. It's an unprecedented phenomenon: millions of children all over the world are reading the same books at the same time: for years at a stretch. There is a cultural touchstone that has been created, a fictional common ground that a child from Iceland and one from Scotland could both understand and relate to. While some conservative groups have complained about the deaths in the books, children seem to take it all in stride. Children know that the world is unfair: bad things happen to children every day, from divorce to illness to accidents. Sometimes those children can't talk about their own illnesses, but they can talk about Harry's tragedies, notes Rowling, remarking upon the extraordinary number of letters she's gotten from grateful parents of ill children.

Click Here for Part 2 of J.K. Rowling and the Extraordinary Life.



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