"Writers and narrative designers are still relatively new positions on development teams." she said. "This means there's still a level of uncertainty about how best to use and integrate them. I know from talking to lots of fine people in my field that the writing process can often be done too late, without proper access to the team and under extreme pressure. Thankfully, things are starting to get a little better and more writers are being contacted in the first few months of a project's lifespan, rather than the last few months. Personally, I consider I've been very lucky with some of my projects."

"A little more variation in concept and content would be nice, as well, which is something writers and narrative designers can help with. Although they have their place and god knows I've enjoyed them on occasion, I could do with a little less 'Gruff guy with super powers/large weapon kicks assss!' tales. The medium has huge potential, so I'm not sure why there's this constant desire to keep rooting around in Hollywood’s action-movie scrapheap."

"What I think has really worked for the franchise is that the setup and gameplay is ripe with humour," says Pratchett. "You play an evil Overlord, rampaging through a twisted fantasy world, with an ever expanding army of sycophantic minions who loot and pillage for you. What's not to love about that?"