The L.A. Timesexplores the Writer's Guild's confrontational, bold approach to issues facing writers, and discusses whether it's a good thing.
In the three months since he was named interim executive director of the Writers Guild, West, Young has adopted the kind of disruptive tactics traditionally used by blue-collar unions. In September, writers staged a protest outside Advertising Age's "Madison and Vine" conference in New York that included protesters dressed as reality TV stars Donald Trump and Martha Stewart.
Twenty guild members later crashed a panel of reality TV producers at the Four Seasons Hotel in Beverly Hills, handing out leaflets and briefly engaging panelists in discussions about poor working conditions and pay in the reality genre. Writers also leafleted the Museum of Television & Radio in New York to protest what they believe is excessive product placement in TV.
Although Young's tactics have succeeded in getting publicity, they garner mixed reviews within the 9,500-member union. Supporters believe they draw attention to the guild's gripes and help galvanize members. But critics see them as pointless gimmicks inappropriate for writers.
"We're not Teamsters, we're not textile workers," said former board member Larry Gelbart, a veteran writer whose credits include the TV series "MASH" and such movies as "Tootsie" and "Neighbors." "The last thing we want is to be turned away at the door because someone is afraid we're going to make a scene."
It's an interesting article. The Guild feels that it must adopt bolder tactics because no one in Hollywood is listening to what the writers are saying.